WELDER at Conrad Shawcross Studio
4 days a week
Salary depends on experience
An efficient, proactive, detail-oriented and well-organised Welder is required to join the busy studio of an established contemporary artist, to start from early June.
The applicant would need to be able to work both independently and collaboratively with a small but dynamic team at the studio whilst maintaining close communication with the Production Manager at all times. Previous technical experience within the arts is preferred.
Required skills include:
• MIG welding
• TIG welding, AC/DC
• Ability to read technical drawings
• Grinding, bending, other general fabrication experience
• Artwork installation experience a benefit but not required
Please email a cover letter and CV to: email@example.com by 4pm on Wednesday 30 May 2018.
Art Capital: Art for the Elizabeth line, Whitechapel Gallery, London, 13 March – 6 May 2018
In the first overview of the Crossrail artworks, material such as maquettes, sketches and prototypes are displayed in the gallery’s project and archive spaces. The exhibition reveals the artists’ ideas and the complex process for turning artistic proposals into deliverable public art.
The exhibition includes a maquette and drawings by Conrad Shawcross, reflecting the development of his proposed Manifold 5:4 piece, which will be sited outside the Moorgate entrance of the Liverpool Street station of the new Elizabeth line.
Whitechapel Gallery 77-82 Whitechapel High St London E1 7QX
Tue, Wed, Fri, Sat and Sun | 11am-6pm, Thu | 11am-9pm
Crossrail Art Programme Commission, London, announced 13 March 2018
Conrad Shawcross has been unveiled as one of the final two artists selected to create a major new work of art for the Crossrail Art Programme; a unique series of nine public artworks that are being integrated into seven stations of the new Elizabeth line, due to open in December this year.
Manifold 5:4, 2018, will be a bronze sculpture positioned outside the Moorgate entrance of the Liverpool Street station. Taking inspiration from musical harmony, Shawcross has used a machine based on the Victorian harmonograph (with its two pendulums that draw the oscillation of a sound wave) to map the complex shape of a specific piano chord that is falling into silence.
Harbour Arts Sculpture Park, Hong Kong, 22 February – 11 April 2018
Hong Kong’s first international sculpture park, Harbour Arts Sculpture Park transforms Hong Kong’s iconic harbour front with artworks by established and emerging local and international contemporary artists. The display includes two works by Conrad: The Dappled Light of the Sun, I, 2015 and Paradigm (Solid), 2014.
Harbour Arts Sculpture Park, Tamar Park, Harcourt Road, Admiralty, Hong Kong
Frieze Sculpture Park, Regent’s Park, London, 14 – 17 October 2015
Conrad Shawcross’ The Dappled Light of the Sun, 2015 will be installed in Regent’s Park as part of Frieze Sculpture Park . Selected by Clare Lilley (Director of Programme, Yorkshire Sculpture Park), Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the English Gardens between Frieze Masters and Frieze London.
Frieze London, Stand B3, 14 – 17 October 2014
GLOBALE: EXO-Evolution, ZKM, Karlsruhe, 31 October 2015 – 28 February 2016
Conrad Shawcross’ The Blind Aesthetic, 2011 features in this exhibition, which focuses on the artistic use of new technologies and opens up views into the future, in various modules.
The Dappled Light of the Sun at Beyond Limits, Chatsworth House, 14 September – 25 October
And talk on 20 Sept
Sensory Systems, Grundy Art Gallery, Blackpool, 12 September – 7 November 2015
Light Show, Sharjah Art Centre, 21 September – 11 December 2015
Inverted Spires and Descending Folds, Victoria Miro Gallery II, 10 June – 31 July 2015
Victoria Miro will present an exhibition of new sculptures in steel and cast bronze by Conrad Shawcross this summer. Considered “maquettes” – some for realised commissions, and others propositions for works on a monumental scale – this body of work focusses on two lines of enquiry: Shawcross’s ongoing explorations of the four-sided tetrahedron as a tessellating form in his Paradigm series, and the dynamic visual potential of harmonics in his Manifold works. Installed as a singular sculptural field, the works bear relationships to both architecture and the body, and elicit a subtle line between structure and nature, the metaphysical and the molecular.
Commission for Royal Academy Summer Exhibition, 8 June – 16 August 2015
Conrad Shawcross will create a new site-specific installation for the Annenberg Courtyard for the Royal Academy Summer Exhibition 2015. Entitled The Dappled Light of the Sun, the large-scale, immersive work will consist of a group of five steel ‘clouds’ which will inhabit the courtyard’s central space. The branching cloud-like forms will be made up of thousands of tetrahedrons and stand at over six metres high and weigh five tonnes each.
Conrad Shawcross, The Dappled Light of the Sun, 2015 in production.
Photograph by Marc Wilmot. Courtesy the artist and Victoria Miro Gallery, London.
Solo Exhibition, New Art Centre, 23 May – 26 July 2015
From 23 May – 26 July 2015 Conrad Shawcross will be showing a body of work at the New Art Centre, Roche Court, Wiltshire.
Proportio, Palazzo Fortuny, Venice, 9 May – 22 November 2015
Counterpoint, Dulwich Picture Gallery, until 14 June 2015
To coincide with the launch of Three Perpetual Chords, the Dulwich Picture Gallery will display a selection of smaller maquettes of the park works, Three Perpetual Chord Studies. The light work Counterpoint, 2006 is also on display in the gallery’s mausoleum space.
Three Perpetual Chords, Dulwich Park, London. Launch at 2pm, 18 April 2015
A new series of sculptures by Conrad Shawcross will be unveiled in Dulwich Park in London on 18 April 2015.
The sculptures, entitled Three Perpetual Chords, have been commissioned by Southwark Council in partnership with the Contemporary Art Society, as a public art legacy to the Two Forms Divided Circle Barbara Hepworth sculpture stolen from the park in 2011.
Three Perpetual Chords draws from the artist’s ongoing study of harmonics and represent The Octave, The Fifth and The Fourth within the Western harmonic scale. They will form a trail in the northern end of the park, with each just visible from the last, and will rest lightly on the grass, emphasising the juxtaposition between an industrial material and its arcadian environment.
The knot-like sculptures are cast in spheroidal cast iron – a ductile material used within urban settings – which in time react to their environment, forming colours of deep red, blue/blacks and browns, and areas of polished silver where they are frequently touched or sat on.
Conrad Shawcross said: “It has been a great pleasure to make a new, permanent commission for Dulwich Park. Three Perpetual Chords are a counterpoint to a traditional civic sculpture in that the loops invite approach, play and physical interaction. These knot-like forms host a void within them and this is a subtle reference to Hepworth’s work, in which the hole is ubiquitous. I hope they become meeting points, romantic destinations, and encourage playfulness while remaining beguiling and provoking figures on the horizon.”
For more information and a short video about the making of the work, please click here.
Three Harmonic Projections, Careyes Foundation, Mexico until 17 February 2015
Conrad Shawcross has recently undertaken a residency as part of the Contemporary Art and Community Program in Careyes Mexico. Shawcross worked for one month to stage a site-specific project at the Careyes Art Space as well as to collaborate with school children from the area through a series of arts educational workshops.
The artist’s larger practice is invested in negotiating the intersections of the fields of philosophy and science. These Platonistic investigations and experiments give rise to poetic and formalist sculptures and installations. His lexicon relies on a vacillating relationship between the empirical and the uncertain.
On view at the Careyes Art Space is an iteration of an ongoing series of Plosion sculptures comprised of aluminum and stained glass, studies in the ideal, the real, the cosmological, the temporal and the phenomenological. These constructivist objects are diagrammatic and enact an ambivalence that sits somewhere between becoming or coming undone, or in the words of the artist “explosion or implosion.” At the heart of the project in Careyes is a machine comprised of steel mesh, a mechanical system and light, a rendition of the piece Slow Arc Inside a Cube. This machine materializes Plato’s cave composed of light, cage and shadow. The final intervention produced in conjunction with local artisans, the artist describes as a monumental instrument, a harmonograph. It is this central work that has served as the instrument used for the artist’s workshops in dialogue with local school children to produce an archive of drawings generated from this elemental sculptural device. In collaboration with Shawcross, each student has created a drawing working with this machine.
Da Vinci: Shaping the Future, ArtScience Museum, Singapore, 15 November 2014 – 17 May 2015
Da Vinci: Shaping the Future takes a bold and contemporary approach to the life and genius of Leonardo da Vinci. Beyond the presentation of original masterpieces from Da Vinci’s renowned Codex Atlanticus, five contemporary art installations are included in the exhibition, including Conrad Shawcross’ Projections of the Perfect Third.
Primal Architecture, Irish Museum of Modern Art, Dublin, 8 November 2014 – 1 March 2015
Primal Architecture borrows its title from an iconic work by Mike Kelley, Primal Architecture, 1995. It includes artworks by Mike Kelley, Jeremy Deller, Conrad Shawcross, Kevin Atherton, Linder, Jesse Jones and Bedwyr Williams.
Light Show at Aukland Art Gallery, 11 October 2014 – 8 February 2015
Light Show, Aukland Art Gallery, New Zealand, until 8 February 2015 and MCA Sydney, 16 April – 5 July 2015
Light Show explores the experiential and phenomenal aspects of light. The exhibition includes Slow Arc Inside a Cube IV, 2009, by Conrad Shawcross.
Conrad Shawcross – Timepiece at Berwaldhallen, Stockholm extended until May 2015
Timepiece is currently installed at Berwaldhallen, Stockholm above the Swedish Radio Orchestra as part of the Interplay season. The work will remain at the concert hall until the season finale on 21 May, featuring Bejamin Britten’s Requiem and a lecture by Simon Schama.
The Vinyl Factory and Conrad Shawcross present The Ada Salon
Dillon & Clervaux
Tamara Barnett-Herrin & Mylo11 – 19 October 2014 | Monday – Sunday | 11am – 5pm
23 – 31 October 2014 | Thursday – Sunday | 11am – 5pmThe Vinyl Factory Space at Brewer Street Car Park, London W1F 0STSpecial presentation of works by Conrad Shawcross, Idris Khan & Yayoi Kusama at Schloss Sihlberg
Conrad Shawcross solo exhibition at ARTMIA, Beijing
Conrad Shawcross at the Royal Academy Summer Exhibition
Epicentre: conversations and discussions between artists at Parra & Romero, Ibiza
Conrad Shawcross exhibiting at Parra & Romero as part of the group show Epicentre: conversations and discussions between artists from 31 May – 15 September 2014.
Conrad Shawcross named as Dulwich Park commission winner
Three Perpetual Chords, has been selected from a shortlist also including proposals by artists Anya Galaccio, Ryan Gander and Eva Rothschild. Following a public consultation in which over 400 people gave their views about the new sculpture both online and through an on-site exhibition in the park, the Dulwich Park Commission Steering Group discussed the outcome and came to a consensus to name Shawcross as the artist who best fits the commissioning principles originally set out.
Three Perpetual Chords proposes a series of cast iron sculptures, each created in relation to the mathematical patterns found in music. The artist describes these forms as “visual descriptions of musical chords.” Roughly human height, the sculptures will be sequenced, leading visitors through an unexpected series of encounters in the park.
Conrad Shawcross: The ADA Project at MOFO, Tasmania, 15 – 19 Janurary 2014